Idea Bank of Instructional Strategies and Methods for Embedding Historical and Cultural Context into Planned Instruction

 

Name: Dolores Luis Gmitter

 

E:mail:

dgmitter@phila.k12.pa.us

 

Art Form: Dance

Grade Level(s)

Primary

Philosophical Perspective

 

Even though children enter the world of formal education with highly sophisticated language communication skills already in place, the educational program in every school they attend for the entirety of their school years will include and emphasize language instruction. Young children's already complex language abilities are deemed but the starting place for instruction. Picture the same youngsters as they step into the classroom, about to begin their dozen plus years of school based learning. Here they come, bodies more or less animated, more or less tentative as they communicate and report to us through their physical beings. Notice that there is a story, distinct and unique, in the limbs and torsos and way of moving of each child. Then ask,

 

"What story does their movement tell"?

 

Is this an important story? Could this story be made explicit? What would happen if the language of movement came to be noticed and nurtured by school districts as part of each child's dozen plus years of school based learning? What would happen if teachers within classrooms had great expectations and regard for the expressive capacities of children as developed over time through the language of movement? What would happen? Dance would happen. Dance is the language of the body and the mind and the human spirit. Children deserve this form of literacy.

Instructional Strategy

 

To use one's actual physical self to create meaning and to communicate. To understand dance as a discipline within the school setting. To provide structured sequential experiences that include physical movement as well as theory about movement and the context in which the movement/dance takes place. To learn and gain practice with a wide variety of movement elements. To encourage opportunities to improvise. To create and perform dances based on students own ideas and concepts from other sources.

 

Active discussion is ongoing. Interpretive efforts are ongoing. Critical and creative thinking skills are developed as students reflect on/assess their own work and that of others.

Reflections:

 

 Reflections:

+++Collaborations with classroom teachers especially those connected to ongoing classroom projects have worked well. Literature and more literature to infuse the given project is essential. I cannot say enough about how much the right books back up and reinforce a project.

---Insufficient joint planning before and during a project limits the potential of a project.

Do differently. A focus on standards can improve my communication with parents and colleagues.

Insights- I am grateful for the road map provided by the instructor. As I can become overly involved in content, it is helpful to have an overall framework to organize the work flow. The PC was somewhat daunting. L The opening activity knitted us into a group as did the last day